Urban fantasy can be said to
be made up of two elements: the urban and the fantastic. Well, yeah, it's much,
much more. It's almost synonymous with paranormal romance, but it's a darker shade,
grittier, in my opinion. Yet we've come to expect the supernatural elements to
be either hunky vampires or even hunkier werewolves. Hunky gods? Not so often.
My intro to urban fantasy was
through the works of Charles De Lint. He had Old World Fairy living in Canada
mixing with Native American spirits. I loved the gentle whimsy streaked with
violence in his work. It all sparkled with magic, in a good way.
When I decided to write
Chasing the Trickster I was also inspired by Tom Robbins's Jitterbug Perfume
wherein Pan complains how he is depleted by the lack of people's belief since
so many switched to Christianity. That aggrievement is at the core of Joe
Cernunnus' character. He's an old world god of the Celts who has tried to adapt
to Christianity but finds himself playing the buffoon to St. Nickolas as the
Krampus, and then as a mortal's captive. To make things worse, the Trickster god
of the Southwest is highly territorial, he understands that power comes from worship,
and as Coyote he is worshipped. He sees Joe start a power base in Sante Fe and
takes action working with the Web of Fate to change things more to his liking.
Little is known of the Celts.
Mostly we associate them with the people of Ireland and to a lesser extend
Scotland, Wales, Cornwall, Isle of Man and Brittany (the six Celtic Nations).
These are all that remain of a language and culture belonging to pre-Roman
Europe going back in places to the Bronze Age. The Celts had no written language
(this is argued as there are some ancient inscriptions extant) and so most of
what we know of them come from artifacts and the writings of the Greeks and
Romans. As the Roman and Germanic migrations grew, the Celtic people were
pushed back to the few areas we see them today. I'm tempted to say they were
absorbed by these two cultural groups, but there is so little to be seen of
them, it's hard to say. The name Cernunnos is from the Latin for "horned
one" and is an inscription for an image of the god with stag horns (on the
Boatman Pillar).
When sitting in a college course on early European Religion I
expected to learn more about Cernunnos, but really there is little. I wondered
how could Christianity, only adopted by the Roman Empire in the Fourth Century,
so quickly push out the older religions. Was it the idea of accepting a
symbolic sacrifice instead of the human or animal ones declared by those older
religions that was so appealing? We know that many of the pre-Christian religions
of the area demanded the death of a human being. Could the pain of such cruel
practices have lead entire peoples to embrace a kinder, gentler religion?
And what of poor Cernunnos
and his followers? The image of Satan comes complete with horns. Demons have
horns. Has our stag god (and Pan) been vilified by the followers of a new
religion? Many would agree. Furthermore we
have the demonic follower of St. Nicholas from Austria, Krampus. He's hairy and
horny (pun intended). I introduced the Krampus into my novel, as a strategy
taken by Cernunnos so at least he'll have some attention, some worship.
As a child I had a keen sense
of the numinous (sublime). I grew up on 3.5 acres of land in Westchester
County. There were ancient willow trees surrounding a pond, and there was an
area of pine trees behind the pond. And the house I lived in was built in 1756.
There was a strong sense of history and mystery. It probably helped that I was
in love with books from an early age and devoured Andre Norton and Madeleine
L'Engle when young, and then later Hawthorne, James and Poe (and let's not
forget C.S. Lewis and Tolkien).
In many religions, we learn that God or Spirit is all around us. We can connect with
this feeling whenever we choose. Even atheists will agree to a sense of the numinous
can be found in nature, science or the arts. However, I love the idea of
spirits, whatever names you give them, including the Holy Ghost, surrounding
us. In writing about gods, I hope to connect with numinousity, a sense of sublime,
and perhaps lead others to experience that when reading my work.
As a Fourth of July special,
if you will promise to write a review of Chasing the Trickster (leave it at Goodreads,
Eternal Press, Barnes and Noble, Amazon or your own blog) I will send you a
free reviewers PDF of my novel.
Hope you take advantage of
the offer.
